|
|
Biography
Selected Solo Exhibitions:
|
| 2000 |
National
Gallery of Prague, Prague, Czech Republic |
|
Tobacco
Project, Duke University, Durham, NC, USA |
|
| 1999 |
Bates
College Museum of Art, Maine, USA |
|
| 1998 |
New
Museum of Contemporary Art, New York, USA |
|
Jack
Tilton Gallery, New York, USA |
|
The
Wood Street Gallery, Pittsburgh, Pennsylvania, USA |
|
Recent
Projects, California Institute for the Arts, Valencia,
USA |
|
Gallery
of University of Wisconsin-Oshkosh, Wisconsin, USA |
|
| 1997 |
Classroom
Calligraphy, Joan Miro's Foundation, Mallorca, Spain |
|
Installation
by Xu Bing, ICA, London, England |
|
Tokyo
Gallery, Tokyo, Japan |
|
Galeria
Charpa, Valencia, Spain |
|
Lost
Letters, Asian Fine Arts Factory, Berlin, Germany |
|
The
Net: A Collaborative Installation by Xu Bing, December
Art Center, Eastern Illinois University, Charleston, Illinois,
USA |
|
| 1996 |
A
Book from the Sky, University Art Museum, Albany, New
York, USA |
|
| 1995 |
Language
Lost, Massachusetts College of Art, Boston, USA |
|
Series
Exhibition 2, North Dakota Museum of Art, Grand Forks,
North Dakota, USA |
|
Randolph
Street Gallery, Chicago, USA |
|
Dille
Center for the Arts, Moorhead State University, Minnesota,
USA |
|
Recent
Projects, University Gallery, University of South Dakota,
USA |
|
| 1994 |
Recent
Work, The Bronx Museum of the Arts, New York, USA |
|
Negotiation
Table, Art Center College of Design, Pasadena, USA |
|
Experimental
Exhibit, Han Mo Art Center, Beijing, China |
|
| 1993 |
A
Case Study of Transference, Ethan Cohen Fine Art, New
York, USA |
|
| 1992 |
Xu
Bing Series Exhibition 1, North Dakota Museum of Art,
Grand Forks, USA |
|
| 1991 |
Three
Installations by Xu Bing, Elvehjem Museum of Art, Madison-Wisconsin,
USA 1988, 1990 |
|
A
Book from the Sky, Tokyo Gallery, Tokyo, Japan; National
Fine Art Museum, Beijing, China |
|
Selected Group Exhibitions:
|
| 2000 |
ev+a
2000 friends and neighbours, Limerick City Gallery of
Art, Ireland |
| |
Inside Out, National Gallery of Australia, Canberra,
Australia |
|
Sydney
Biennial, Art Gallery NSW, Sydney, Australia |
|
Fuller
Museum of Art, Boston, USA |
|
Art
Chicago 2000, Chicago, USA |
|
Apex
Art Curatorial Program, New York, USA |
|
White
Box Gallery, New York, USA |
|
Word
Project, Museum of Ohio University, Ohio, USA |
|
| 1999 |
Banner
Project, MOMA, New York, USA |
|
Art
Worlds in Dialogue - Global Art Rhineland 2000, Museum
Ludwig, Cologne, Germany |
|
Global
Conceptualism: Points of Origin, Queens Museum of Art,
New York, USA |
|
1st
Fukuoka Asian Art Triennial, Fukuoka Asian Art Museum,
Japan |
|
Inside
Out - Chinese New Art, SFMOMA and the Asian Art Museum,
USA |
|
The
Third Asia-Pacific Triennial of Contemporary Art, Queensland
Art Gallery, Brisbane, Australia |
|
Zeitwenden
- Looking Back and Looking Forward through the Fine Arts,
Kunstmuseum, Bonn, Germany |
|
The
3rd Art Life 21, Spiral/Wacoal Art Center, Tokyo, Japan |
|
CON(TEXT),
The Bronx Museum of the Arts, New York, USA |
|
Transience
- Chinese Experimental Art at the End of the Twentieth Century,
University of Chicago Museum, Chicago, USA |
|
Concerning
Truth, Gallery 400, The School of the Art Institute of
Chicago, Chicago, USA |
|
Text
Project, Ikon Gallery, Birmingham, UK |
|
The
Art of Artist's Books, Mexico City, Mexico |
|
University
of Oregon Museum of Art, Eugene, Oregon, USA |
|
Hood
Museum of Art, Darthmouth College, New Hampshire, USA |
|
Chinese
Woodblock Prints, Mishkan Le'Omanut Museum of Art, Israel |
|
Contemporary
East Asian Letter Arts, Seoul Arts Center, Seoul, Korea |
|
| 1998 |
Crossings,
The National Gallery of Canada, Ottawa, Canada |
|
Animal,Anima,Animus,
Pori Art Museum, Finland (tour) |
|
The
Library of Babel, ICC-Intercommunication Center, Tokyo,
Japan |
|
Transatlantic,
CAAM - Centro Atlantico de Arte Moderno Museum, Las Palmas
de Gran Canaria, Spain |
|
Site
of Desire, 98' Taipei Biennial, Taipei Fine Art Museum,
Taiwan |
|
Unreadable
Books. New Letters, The Mitaka City Art Center, Mitaka,
Japan |
|
Inside-Out,
Gallerie of Asia Society and PS 1, New York, USA |
|
Where
Heaven and Earth Meet: Xu Bing and Cai Guo Qiang, Museum
of Center for Curatorial Studies, Bard College, New York |
|
New
Installations by Xu Bing & Hong Yong Ping, Art beatus,
Vancouver, Canada |
|
Beyond
the Form - The Transformation and the Symbolic of Chinese
Character in the Arts. New York Lincoln Center Cork Gallery,
New York, USA |
|
"Freedom
of Art Project", The Stedelijk Museum of Amsterdam, Holland |
|
Exhibition
of Contemporary Chinese Art and the Fin de Siecle, Lehman
College Art Gallery, New York, USA |
|
5
Continentes y Una Cuidad, Mexico City Museum, Mexico |
|
Autonomous
Action: New Chinese Performance Art on Video, Artspace,
Auckland, New Zealand |
|
Plural
Speech, White Box Gallery, New York, USA |
|
| 1997 |
power,
2nd Kwangju Biennial, Kwangju, Korea |
|
Transversions,
2nd Johannesburg Biennale, Johannesburg, South-Africa |
|
Around
Us - Inside Us - Continents, Boras Konstmuseet, Boras,
Sweden |
|
The
Other Modernities, House of World Cultures, Berlin, Germany |
|
New
China, Jack Tilton Gallery, New York, USA |
| |
An
Aspect of Chinese Contemporary Art: In Between Limits,
Sonje Museum of Contemporary Art, Kyongju, Korea |
|
| 1996 |
Interzones,
Kunstforeningen, Copenhagen, Denmark |
|
Interzones
2, Uppsala Museum, Uppsala, Sweden |
|
Fractured
Fairy Tales: Art in the Age of Categorical Disintegration,
Duke University Museum of Art, Durham, North Carolina, USA |
|
Origins
and Myths of Fire, The Museum of Modern Art, Saitama,
Japan |
|
New
Works: 96,3, The International Artist in Residence Program,
ArtPace, San Antonio, USA |
|
Installations/Performances,
Marstall Performance Centre, Munchen, Germany |
|
New
Art in China, Post 1989, Fort Wayne Museum of Art, Denver,
Colorado; University of Oregon Museum of Art, Oregon, USA
(tour) |
|
| 1995 |
China
Avant-Garde Art, Santa Monica Art Center, Barcelona, Spain |
|
New
Art in China, 1989-1994, Vancouver Art Gallery, Vancouver,
Canada |
|
| 1994 |
Cocido
y Crudo, Reina Sofia Museum of Art, Madrid, Spain |
|
Jumping
Typography, O Art Museum, Tokyo, Japan |
|
Flesh
& Ciphers, Here Foundation, New York, USA |
|
| 1993 |
45th
Venice Biennial, Venice, Italy |
|
Fragmented
Memory - The Chinese Avant-Garde in Exile, Wexner Center
for the Visual Arts, Columbus, Ohio, USA |
|
Mao
Goes Pop: China Post 1989, Museum of Contemporary Art,
Sydney, Australia 1992 |
|
| 1992 |
Desire
For Words, Hong Kong Arts Centre, Hong Kong, China |
|
New
Art in China, Queensland Art Museum, Brisbane; City of
Ballarat Art Museum, Ballarat; Canberra School of Art, Canberra;
Museum of New South Wales, Sydney, Australia |
|
Looking
for Tree of Life: A Journey to Asian Contemporary Art,
Museum of Modern Art, Saitama, Japan |
|
International
Art Project: FAX-ART, Venice, Manchester, Tokyo and Vienna |
|
| 1991 |
The
Book as an Object d'art, Hong Kong Arts Centre, Hong Kong,
China |
|
I
Don't Want to Play Cards With Cezanne and Other Works,
Pacific Asia Museum, CA, USA |
|
|
| 1989 |
China
Avant-Garde, National Fine Art Museum, Beijing, China |
|
| 1986 |
1st
Turkey Biennial, Ankara, Turkey |
|
British
Museum, London, England |
|
