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       The Net    (1997)

 

Mixed media installation: metal fence whose links are bent into word forms, live sheep.

This installation is a collaborative between Xu Bing and the Eastern Illinois Art Department Students who were assisted by members of the Art faculty. The installation's primary feature is a "net" created by the students using aluminum wire to create words. The words are mounted on sheets of Plexiglas and the text consists of narratives written by the students. The Net is intended to pose questions about communication: the limits of language as a form of communication, our ability to communicate verbally and non-verbally, the role of art as communication, and the cultural connotations of language and art. Sheep are incorporated into the installation to raise issues of communication between species, dominance and passivity, human rights versus animal rights. Persistent thinking about human culture vs. animal culture (or the lack thereof) has inspired the artist in all his work with animals.


The Leash (1998)
Mixed media installation: metal leash whose links are bent into word forms, live sheep.

This installation was created in the spirit of The Net. Two live sheep are leashed with a link-metal leash that forms the words to a John Berger poem. The Leash is intended to pose questions about communication: the limits of language as a form of communication, our ability to communicate verbally and non-verbally, the role of art as communication, and the cultural connotations of language and art. Sheep are incorporated into the installation to raise issues of communication between species, dominance and passivity, human rights versus animal rights. Persistent thinking about human culture vs. animal culture (or the lack thereof) has inspired the artist in all his work with animals.


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