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II Online Institute for Ink Art / 纽约水墨学社 |
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"Chinese brush art has been practiced for more than thousend years and the styles have changed significantly over time, forming rich and varied traditions. From cave painting to modern ink-art, everything brushed by the artist's hand becomes one of the mirrors of the artist's soul" - Dr. Gan Yu "中国绘画艺术已有千余年实践的历史，其风格也随着时间的推移发生了巨大变化，形成了丰富多样的传统。从洞窟绘画到现代水墨，艺术家手中的每一笔都是自已灵魂的写照" -- 喻干 |
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Weekly Picture / 每周一图 |
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The "Weekly Picture" is only for noncommercial use, including educational and research purposes. |
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Jan 7, 20167 |
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.Painting by Hua Yan 华嵒 (1682-1756) |
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 Hua Yan (1682-1756), A Mongol and His Camel, handing scroll, ink and black tea on rice paper, 127 x 50.2 cm, 1750 华嵒 (清) ，寒驼残雪图，立轴，设色纸本，127 x 50.2 cm, 1750 年作 About the Artist: Hua Yan (1682 – 1756) simplified Chinese: 华嵒 ; traditional Chinese: 華嵒 ; pinyin: Huà Yán; Wade–Giles: Hua Yen; courtesy name Qiu Yue (秋岳), sobriquets Xinluo Shan Ren ( 新罗山人 ), Dong Yuan Shen ( 东园生 ), Bu Yi Sheng ( 布衣生 ) ， and Li Hou Ju Shi ( 离后居士） was a Qing Dynasty Chinese painter. He was born in Shanghang ( 上杭 ) Fujian province and lived in Yangzhou and later in Hangzhou. Yan's work is within the tradition of the Yangzhou school and is often named as one of the Eight Eccentrics of Yangzhou. * This painting is from the Sotheby's Fine Chinese Paintings auction catelogue, New York, 1994
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